Spacetime, 2018

In the series “Spacetime” (2018), drawing becomes a kind of measuring field: lines, points and loops behave like traces of forces that cannot be seen directly. Time appears not as a narrative, but as pressure, as congestion, as condensation in space. The motifs act like models of transitions in which the unknown, the dark and the seemingly empty suddenly become palpable. These pictorial spaces explain nothing; they sharpen perception and hold a quiet, precise tension.